THE GREAT STRENGTH THEY ARE ABLE TO RAISE
AND CAN LEAP FORWARD IN TIMES TO COME
It is interesting to note how this morbid accumulation of energy in belligerence and its failure to find vent in other directions became more and more evident in the physiognomy of the world as the twentieth century progressed.
The gatherings of mankind became blotched with uniforms. Those admirable albums of coloured pictures, Historical Scenes in a Hundred Volumes, which are now placed in all our schools and show-places and supplied freely to any home in which there are children, display very interestingly the advent, predominance and disappearance of military preoccupations in the everyday life of our ancestors.
These pictures are all either reproductions of actual paintings, engravings or photographs, or, in the case of the earlier volumes, they are elaborate reconditionings to the more realistic methods of our time of such illustrations as were available.
Military operations have always attracted the picture-maker at all times, and there are plentiful pictures of battles from every age, from the little cricket-field battle of the Middle Ages to the hundred mile fights of the last Great War, but our interest here is not with battles but with the general facies of social life. Even in the war-torn seventeenth century the general stream of life went on without any manifest soldiering.
War was a special occupation. While the battles of the English Civil War, which set up the first English Republic (1649-1660), were in progress, we have evidence that hunting and hawking parties were busy almost within sound of the guns.
The novels of Jane Austen (England, 1775-1817) pursue their even way without the faintest echo of the land and sea campaigns in progress.
Goethe in Weimar (the German literary "Great Man" during the "Great Man" period of literary thought in Europe, 1749-1832) could not be bothered by requests for supplies of wood and food for the German troops before the battle of Jena, and was very pleased to meet his "enemy alien" Napoleon socially during that campaign.
We rarely see the monarchs of the eighteenth century depicted in military guise; the fashion was for robes and majesty rather than for the spurs and feathers of the Bantam warrior-king. It was the unprecedented vehemence of the Napoleonic adventure that splashed the social life of Europe with uniforms, infected feminine fashions, and even set plump princess colonels, frogged with gold lace and clutching bare sabres, joggling unsteadily at the heads of regiments.
There was a brief return towards civilian attire with the accession of the "domesticated monarchs", Louis Philippe in France and Victoria in Great Britain; they marked a transient reaction from Napoleonic fashions; but from the middle of the nineteenth century onward the prestige of the soldier resumed its advance and the military uniform became increasingly pervasive.
Flags became more abundant in the towns and "flag-days" dotted the calendar.
There was never a crowd pictured in Europe after 1870 without a soldier or so.
The Great War greatly intensified the military element in the street population, not only in Europe but America.
Various corps of feminine auxiliaries were enrolled during that time and paraded the world thereafter in appetising soldierly outfits. In the United States, except at Washington, or when there was a parade of civil war veterans, a soldier in uniform had been hitherto the rarest of birds.
He would have felt strange and uncomfortable.
He would have offended the susceptibilities of a consciously liberated people. The Great War changed all that. When Germany was disarmed after the war, a Nazi movement and a Reichsbanner movement supplied the needed colour until a German's freedom to get into properly recognized livery was restored.
The pattern of half-military, half-civilian organizations in uniform had already been spread about the world between the South African War (1899-1901) and the Great War, by the Boy Scout movement.
Of the Nazi movement, the Italian Fascisti and the Polish Brotherhood at least there will be more to tell later. The black and brown shirts may be cited here as instances of the visible breaking-down of the boundaries between military and civil life that went on during and after the World War.
Hitherto war had been a marginal business, fought upon "fronts", and the ordinary citizen had lived in comparative security behind the front, but the bombing, gas-diffusing aeroplane, and later the long-range air torpedo, changed all that.
The extended use of propaganda as a weapon, and the increasing danger of social mutiny under war stress, had also its share in making the entire surface of a belligerent country a war area and abolishing any vestiges of civil liberty, first during actual warfare and then in view of warfare.
The desirability of getting everyone under orders, under oath, and subject to prompt disciplinary measures, became more and more manifest to governments.
So within a century the appearance of the human crowd changed over from a varied assembly of incoordinated free individuals to a medley of uniforms. Everybody's dress at last indicated function, obligation and preparedness.
The militarization of the European multitude reached a maximum during the Polish wars.
About 1942 gas masks, either actually worn or hanging from the neck, were common for a time, and so, too, were the small sheath-knives which were to be used in disposing of fallen aviators who might still be alive.
Patella metal hats and metal epaulettes to protect the head and body against a rain of poisoned needles also appeared.
Some civilians became far more formidable-looking than any soldiers.
IS A METAMORPHOSIS THAT ARE DRAWN UP IN THE STORAGE RES PUBLICAN YES WE CAN NATIONS
